Showing posts with label Back Stitch. Show all posts
Showing posts with label Back Stitch. Show all posts

Friday, 18 November 2016

Friday Homework for Lesson 2: Back Stitch

I have done my homework.


These stitches are made in the holes from a machine pierced piece of cotton (no thread of course).  It was an easy way of finding where to put the needle.

I would say it is a good way to practise, but when stitching free hand, well then my stitches are still uneven. They could be nicknamed 'Long and Short Stitch'!!! Well, I will definitely need to practise more!


Carorose, as well as Jacquie Harvey BEM, pointed out the importance of finding a good rhythm. I think I haven't had the chance to sit for a long enough period to find that rhythm - I am constantly interrupted. Lis was reflecting about her mother's stitches in a hexagon quilt... nothing about Back Stitch, but the emotion and condition behind the result.

Margaret  mentioned Redwork, and I had totally forgotten that Back Stitch is the backbone of Redwork. Have I got any pretty design to copy, I wonder...? Oh, yes, I have just seen Annet's charming Sunbonnet Sue. I have some Sunbonnet Sue designs in a magazine... but will I find that rhythm? I will have to review this stitch!

What is your relationship with Back Stitch?

Sunday, 13 November 2016

Sunday Stitch School - Lesson 2: Back Stitch

Today's lesson is on Back Stitch. It is not new to me, but as it is one of the most fundamental embroidery stitches and was not included in TAST, I want to put some focus on it here.

Back Stitch is a basic and simple stitch, and easy when worked on Aida
or evenweave linen where the holes are clearly visibly.

On plain weave fabric, however, my Back Stitches tend to look uneven.
Sloppy, or what? Well, I have exaggerated, but what can I do to improve?

I sought the advice of decorated and award winning hand quilter Jacquie Harvey BEM, who is famous for including neat Back Stitches to her quilts.


This is what she had to say:
The secret of getting a good, regular stitch is making sure your needle is always at a 90 degree angle as it goes in and out and that when it goes in, it should go back into the hole of the previously worked stitch.  Going in at 90 degrees is no problem but coming out is slightly more difficult.  This is when I manipulate the piece of work downwards, with my left hand, to ensure the degree is correct - working backstitch on fabric within a frame isn’t easy unless you are working on a large thread count and can see the holes.  If you do it this way, your needle will split the thread behind so that it looks the same back and front.  As with everything, practice makes perfect and to get a good regular stitch, your eye has to get the gap correct between the last stitch and where the needle comes up again,  each time.  This needs concentration and I think this is where a lot of people go wrong, by assuming backstitch is just a simple stitch. 
I highlighted the points I need to check.

Jacquie also revealed that she switched to Back Stitch quilting when she began to suffer from arthritis and found that a longer stitch at the back helped her sew smaller stitches on top. 

On her website, Jacquie has a video where you can see how to quilt with Back Stitch. Don't miss it!

Thank you for your advice and help, Jacquie.


For embroidery, the most important point must be to concentrate on the correct gap between the stitches. Look where you put the needle!






The Back Stitch is used with other stitches to form a number of variations. I will look at those in future lessons.

Other names for Back Stitch are 'Stitching' or 'Point de Sable' and in Swedish it is called 'Efterstygn'.
What is it called in your language?
Updated information:
Dutch: Stiksteek

Homework:
To practise even stitches.
One way will be to pierce a piece of fabric with unthreaded machine stitches and use those even holes as a guide.