The Green Men you find in old churches are often lurking in dark places. To make that blurry, cobwebby, soft and muted effect for my next Green Man block I used a special technique - layering it with a sheer fabric.
This technique is also used for the famous Happy Village quilts taught by Karen Eckmeier where raw edge scraps of fabric are used to build a village scene. These pieces are lightly glued in place to the foundation fabric. After a sheet of tulle has been placed on top, the whole scene is then quilted down.
Here you can see a city I made with that technique.
I also saw a fantastic portrait of a cat at one of the quilt shows in Tokyo Dome. From a distance, the fur really looked real and very 'touchable'. The effect was produced by tulle.
I used not tulle but a fine polyester on top of a painted Green Man.
This is another whole cloth quilt, not a single patch was used! I had to use strong colour paint so the netting would not take too many of the features away.
Interesting technique. I will have to try it.
ReplyDeleteThat cat is stunning, isn't it! And I do like your cobwebbed Green Man!
ReplyDeleteI thought the cat was an edited photo when I first saw it. I like your green man.
ReplyDeleteI love the idea of a painted whole cloth quilt. I do find stitching through paint to be a bit tough though.
ReplyDeleteI feel that the paint is very effective.
ReplyDeletePainting cloth goes back some way, pre C15th. It is good to see it being used again. (Like that Green Man.)
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